The Sea Dreams It Is The Sky

 

They had escaped their country, but they couldn’t escape the past

Having lost both her home and family to a brutal dictatorship, Isabel has fled to Spain, where she watches young, bronzed beauties and tries to forget the horrors that lie in her homeland.

Shadowing her always, attired in rumpled linen suits and an eyepatch, is “The Eye,” a fellow ex-pat and poet with a notorious reputation. An unlikely friendship blossoms, a kinship of shared grief. Then The Eye receives a mysterious note and suddenly returns home, his fate uncertain.

Left with the keys to The Eye’s apartment, Isabel finds two of his secret manuscripts: a halting translation of an ancient, profane work, and an evocative testament of his capture during the revolution. Both texts bear disturbing images of blood and torture, and the more Isabel reads the more she feels the inexplicable compulsion to go home.

It means a journey deep into a country torn by war, still ruled by a violent regime, but the idea of finding The Eye becomes ineluctable. Isabel feels the manuscripts pushing her to go. Her country is lost, and now her only friend is lost, too. What must she give to get them back? In the end, she has only herself left to sacrifice.

THE SEA DREAMS IT IS THE SKY asks:

How does someone simply give up their home…especially when their home won’t let them?

 

WHAT THEY’RE SAYING:

“It’s time to declare John Hornor Jacobs as major author: every sentence he writes feels drawn from a pit of fire and hammered into a sword. The Sea Dreams It Is the Sky is transporting, disorienting, appalling, and gorgeous.” – Daniel Kraus, Award-winning author of The Shape of Water, Trollhunters, and The Death and Life of Zebulon Finch

“Jacobs just keeps getting better. Seldom has cosmic horror been so naturalistically, so vividly, wrought. The Sea Dreams It Is the Sky is a squirm-inducing glimpse of humanity’s inner darkness, and worse.” – Laird Barron, Award-winning author of Blood Standard, The Croning, and Occultations

“The Sea Dreams It Is the Sky is lush, terrifying, beautiful, and disturbing–and hands-down my favorite novella of the year. John Hornor Jacobs’ language draws you into a world of mounting dread, where all-too-human acts of violence bleed into supernatural horror. I read the last half of the book in one sitting, and I’m going to be thinking about it for a long time. Don’t miss this.” – Daryl Gregory, Award-winning author of Spoonbenders, Pandemonium, Raising Stony Mayhall, and We Are All Completely Fine

“Lovecraft meets Bolaño in the waning days of the Pinochet regime… This was creepy and evocative, and indisputably better written than 95% of the genre. Good stuff.” – Daniel Polansky, author of Lowtown and A City Dreaming

“The author does an excellent job of immersing the reader in this culturally rich setting […] but it’s Avendaño’s backstory that is the Lovecraftian foundation of the story […] raising the story from something merely good to something deliciously sublime.” – Kirkus Reviews

The Sea Dreams It Is The Sky is so fabulous, I can’t imagine him achieving anything greater. For many, this would be the crowning achievement. The novella is dark and touching and lovely with enough conspiratorial nastiness that even this old soul was satisfied.” Weston Ochse, Author of Burning Sky, Seal Team 666

“Equal turns poetic and hypnotic, Jacobs resurrects the surreal imagery of Jorge Louis Borges and couples it with visceral prose that cuts to the bone.” – Teresa Frohock, Author of Miserere: An Autumn Tale and Where Oblivion Dwells

5/5 Stars – “This is a lushly literary narrative, one that is first and foremost a character study of political exiles, and Jacobs’s authorial skills are tack sharp. Highly recommended. ” – Michael Patrick Hicks, author of Broken Shells and Mass Hysteria

“A masterpiece of modern cosmic horror that grounds itself in humanity. Jacobs does a lot with a little; his prose is lyrical and evocative. The setting and characters are captivating and unique to the genre. Moving cosmic horror away from the dreary hills of New England and to the streets of Málaga, Spain and the mountains of South America was a refreshing change. The result is a surprisingly deep novella that recasts cosmic horror’s themes with a raw originality. I was enthralled from start to finish.” – K.M. Alexander, author of The Stars Were Right and Old Broken Road

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